CEO - Susan Chalmers-Gauvin
ARTISTIC DIRECTOR – Igor Dobrovolskiy
PROGRAM DIRECTOR - JB Vanier
It is essential for youth to begin their training with a qualified and professional group of educators. At the School of Atlantic Ballet, we strongly believe that the connection between youth development and the arts is best fostered through a direct relationship with professional artists and educators.
Ballet/ Dance DIVISION, Advanced ballet
Yuliia Shevchenko was born in Kiev, Ukraine. She began her dance training at the age of five and continued her ballet studies at the Kiev State Ballet Academy. After graduation, she joined the State Theatre of Opera and Ballet for Children and Youth in Kiev. Yullia worked throughout Europe as a professional ballet dancer. Her extensive contemporary, classical and character dance repertoire included: The Nutcracker, Sleeping Beauty, Harlequinade, Romeo and Juliet, Sacred Spring, Pushkin, Casanova, Carmina Burana, Carmen, Four Seasons, Giselle, and Rasputin, in which she had leading and solo roles. In 2002, after giving birth to her daughter Nikita, she joined the Atlantic Ballet Theatre of Canada. Following her extensive professional ballet career, Yuliia has dedicated her time to teaching and youth development. She has been a ballet teacher and choreographer at ballet schools and instructor and artistic consultant for rhythmic gymnastics groups in Europe and Canada. As well, she has offered ballet master classes, workshops and summer schools in British Columbia, Nova Scotia, Newfoundland and Labrador, and New Brunswick. Over the last four years Yuliia also contributed her talents to District 2 high school production as a choreographer. She choreographed for the musicals Fame (2007), Footloose (2009), Beauty and The Beast (2009), Into the Woods (2009), Grease the Musical (2010) and The King and I (2011).
Intermediate Level 2, Contemporary & Character
Eldiyar joined Atlantic Ballet Theatre of Canada in 2012. Prior to coming to Canada he was dancing as a soloist with the prestigious Eifman Ballet of St Petersburg. He trained and graduated from the esteemed Kazakh National Academy of Arts and went on as a principal dancer with the National Academic Ballet of the Republic of Kazakhstan, the Center of Contemporary Dance and the Crown of Russian Ballet Moscow. Eldiyar also has a degree in Teaching and Choreography from the National Academy of Art in Almaty, Kazakhstan.
Elementary, Intermediate Level 1, Advanced ballet
A professional dancer of Atlantic Ballet Theatre of Canada since 2003, Yuriko Diyanova left a career as a classical soloist in Japan, to join Atlantic Ballet Theatre of Canada. A prizewinner at several ballet competitions, she has an extensive classical repertoire which includes principal and soloist roles. She has extensive teaching experience in ballet having taught professional classes Japan. A favorite with audiences wherever she dances, Yuriko earned critical notice for her performance as Merlin’s mother in the Company’s third original ballet of the same name. Other roles with the Company include: Marcelina in Figaro, “The Girlfriend” in Les Portes Tournantes, and Mozart’s first love in Amadeus. She dances as one of “The Ladies” in Don Juan, performs as a “Messenger” in King Lear and as Marcellina in Fidelio.
Pre-Primary Ballet & Acrobatics
Olga Petiteau trained at the Académie américaine de danse de Paris. In 2007, she was a finalist at the Youth America Grand Prix competition in New York. She joined Ballet Cymru in 2009, where she performed on national and international tours. She has also been involved in the creation and inception of many neoclassical and contemporary pieces. Olga danced with Vienna Festival Ballet for one season in 2012 and joined Les Ballets classiques de Paris for their international tour. In 2014, she brilliantly interpreted the role of Edith Piaf in Atlantic Ballet Theatre of Canada’s original production.
Toddler Ballet, Primary, Pre-Ballet, Adult Ballet
Born in Montreal, Stéphanie began her training at l’École supérieure de Ballet du Québec. During her training, Stéphanie had the chance to perform the Balanchine repertory, as well as Swan Lake. She has also been involved in many contemporary new works. This is her second season dancing with Atlantic Ballet Theatre of Canada. In last year’s premiere of PIAF by Igor Dobrovolskiy, she danced the part of Simone “Mômone” Berteaut. Stéphanie has also performed in GHOSTS OF VIOLENCE and PHANTOM OF THE OPERA with the Company.
MUSICAL THEATRE FACULTY
Laura-Beth Bird is an emerging theatre and film artist based in Fredericton New Brunswick. She graduated from St. Thomas University, New Brunswick in 2017 with a degree in English with a focus in Drama. She then went on to complete the Catapult program through ArtsNB. She is the founder and producer of Grey Rabbit Theatre Co. Recent work include: Sania the Destroyer and Gretel and Hansel (Theatre New Brunswick Young Company) A Life of Galileo (Theatre St. Thomas) Cymbeline and The Comedy of Errors (Bard in the Barracks), The Dangers of Geothermal Heating (NotaBle Acts Theatre Festival) Thieves of Paradise- What’s Next Festival (Theatre St. Thomas) and Rosencrantz and Guildenstern are Dead (Theatre St. Thomas).
Recently Laura-Beth has turned her attention to learning the secrets of film production. She has appeared on screen in Entropic Fictive Films, Glitter Tracy Lavigne, Infinity Land Creeker Films, March 2.4 Rebel Femme Productions. Behind the scenes on The Amazing Race Canada: Hero’s Edition, Chase 6 Productions and When We Were Young, Steam Powered Productions and many, many more.
Laura-Beth has also worked as an arts educator specializing in youth education, including work at the Beaverbrook Art Gallery and St. Thomas University.
Brigitte Holleran is an acadian-irish soprano, known for her powerful yet delicate voice, both in classical and traditional folkloric repertoire.
Having completed her studies in voice at Université de Montréal, she was a finalist in the XIIIth Czech and Slovak Voice Competition in 2015. On the opera stage, she has performed as Countess in Marriage of Figaro (HOS 2015), Eurydice, then First Muse in Évangéline (2013 and 2014, Opéra-théâtre de Rimouski). In 2015 she sang soprano solo in Fauré’s Requiem (Massenet Choir). She also created the title role of Evangéline in the new opera by Sylvain Cooke, which was presented at the Mondial Choral Festival and on tour in France in 2013.
In addition to her classical career, Brigitte has created many concerts in various styles, including Acadian and Irish folk music, but also blues and tango, accompanied by various ensembles ranging from piano, guitar (Week-End Blues de Montréal) and small ensemble (The Celtic Four), to Symphony Orchestra (Irish Eyes). She has also been teaching voice for over 10 years.